Hi, Vince. I've heard that solution discussed before, although I believe that it concerned grands and not verticals, or maybe I just don't remember it the way it was presented. At any rate, apparently the results achieved were out- standing. My question is this: Could you tell us where and how the weights should be attached to the bridge in the case of a vertical piano? Thanks very much. Les Smith lessmith@buffnet.net On Sat, 15 Jun 1996, Vince Mrykalo wrote: > On 14 Jun 96 ,Ted Simmons wrote; > > I was wondering if anyone has come up with a solution to correct the > situation where the first treble string above the bass-to-treble break in > an upright kind of thunks. It doesn't ring out as clearly as the others > around it. > > ---------------------- reply ------------------------ > I have heard of this problem before, and I think it was Lew Herwig who > presented a possible solution. He suggested adding weight to the low > end (tenor section) of the long bridge with key leads. > > > > vince mrykalo rpt > byu provo utah > ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ > It is theory that decides what we believe-Einstein > I believe that is a sound theory-VM > ~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~ > >
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