SATs

David Porritt dporritt@post.cis.smu.edu
Wed, 31 Jul 1996 06:15:32 -0500 (CDT)


On Tue, 30 Jul 1996 Brent.Fischer@asu.edu wrote:

>
> Dave,
>    The two camps of thought on electronic aids are coming closer
> to a truce as we head towards the future.  As  a former staunch
> opponent to the SAT I now  see the advantages of having a machine in the
> university arena and I plan to have one.  This may shock Jim Coleman Sr.
> but at age fourty it is wise to consider getting all the help possible.
>
> However, as a C&A technician for S&S I find it is not an acceptable
> device to use for concert work for two very good reasons. One, the
> majority of Steinway artists feel very uncomfortable meeting the
> technician who is using a electronic aid and secondly the best
> machines have not proven they can measure the most important aspect
> of fine tuning, perception.
>
> Brent Fischer, Arizona State University
>
>
> Brent.Fischer@ASU.EDU
> Arizona State University/Tempe

Brent:

The first problem you mention is a problem of marketing.  Artists have
their perception of a good tuner and don't want that perception
changed.  The second problem is not a problem.  The SAT is a tool -
nothing more.  You shouldn't use it as either/or.  You use it and then
with your ears that you also bring with you, check perception as you
always have.  Every place I take my SAT I still always bring my ears. :-)

dave
_______________________________________________

David M. Porritt, RPT
Meadows School of the Arts
Southern Methodist University
Dallas, Texas
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