Hi, John. You don't have to leave a groove, just a hint of where the lines used to be so as to be sure you didn't take any felt off below where the grooves were, in other words you ldidn't steal any life off the hammer - the player should do that job. Always space the hammers if they are out of line, and of course if you have to move a string or two knock yourself out. The hammer should be absolutely parallel to the strings at the crown, keep checking for that as you go. The hammer looks, ideally, like the pointy end of an egg when you're done shaping it. This keeps the striking point accurate and voicing lasts longer. Benjamin Lettuce Treuhaft Berkeley, Calif. (Senda Piana to Havana)
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