Bob Hohf wrote: >> 9. the more mass on the front of the key, the wider the acceleration envelope 10. the less mass on the front of the key, the narrower the acceleration envelope.<< Bob, Your message made it sound like a wide "acceleration envelope" is a good thing - is this how you feel? A wide envelope would mean the the piano would be easy to control during soft playing, but would require much greater effort during ff playing. The addition of weight at the front of the key does increase the effort required to accelerate the key for a big sound. This is why I have always been puzzled by people who feel that uprights should have more leads in the keys in order to create more mass and make it feel better. Expressed in your terms, it is my opinion that a smaller "acceleration Envelope" would be the goal, with the position of the "envelope" placed as low on the effort scale as possible. This then could be used as an argument for reducing the effective mass of an action, be either removing or relocating weight within the system. I'd suggest that a better name might be "effort envelope," and it could be a useful and interesting way to describe one aspect of the "touch" of an action. Not only the size of the envelope but the location on an effort scale should be expressed. Keep in mind that mass is only one part of the picture. The leverages contribute to the inertia of the system also, and must be considered in describing the touch. Don_Mannino@yca.ccmail.compuserve.com
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