I would stay with the CFIII hammers. David Ilvedson, RPT Pacifica, CA 94044 ----- Original message ---------------------------------------- From: wbis290 <wbis290 at aol.com> To: caut at ptg.org Received: 3/22/2010 7:49:02 PM Subject: Re: [CAUT] Yamaha CFIIIS >Hi Paul, >I am not sure of the angle of the hammers of the CFlll but I will throw in a thought or >two. The local Yamaha dealer was part of the concert and artist program with >Yamaha and had a CFlll for about five or six years. When it first came in, it lacked >any personality. After some serious voicing, I finally got the piano to come to life. I >had found that this piano needed a lot of constant voicing to keep this tone that >many loved. I had gotten the bid to rebuild a Mason & Hamlin CC for a concert hall in >a city about 40 miles from my shop. The concert hall rented the CFlll while I was >working on the Mason. One of the artists that used the CFlll stated four times during >the performance that this was the best piano he had every played. Several months >after the Mason was returned the CFlll was used by Andre Watts in Fort Wayne. A >friend of mine went to the concert and said the piano sounded horrible and that the >local paper stated how the poor tone of the piano almost ruined the con > cert. When the CFlll came back, I could see what they meant. It was an entirely >different piano. After a lot of work I finally got it back to where it was again. The >piano was sold to a couple whose husband is Japanese and they were transferred >back to Japan. The wife came back to Findlay and called me to tune her mother's >piano. She said that the piano tech in Japan said that her piano was not right and >changed the voicing. She said that she hardly plays the CFlll any more because it >sounds so bad. From what few techs that I have talked to that have serviced CFllls, >this seems to be the weak point of the CFlll. They are great when new but need >constant attention to the voicing, I would see if there is any way that you could get >the university to get money for some Able Select or Able Special Press hammers. >They would help give a sound that you would never think the CFlll would have. I >have put these on some very good pianos and have found that they give a much >better tone t > han I was every able to get from these pianos before including Steinways. I put >them on two Bechstein ENs at Ohio Northern University and was told by two visiting >artist from one of the all Steinway schools who said that they would prefer the >Bechsteins over their new Ds. We never had any compliments on those pianos >before I put the Able Selects on them. >Bill Balmer RPT, >Ohio Northern University and the University of Findlay >In a message dated 03/22/10 11:05:58 US Eastern Standard Time, >dempsey at marshall.edu writes: >All, >We have a Yamaha CFIIIS that was purchased in 2004. When it arrived, everyone, >and I mean everyone (Students, faculty, and guests), forsook the 42 year old >Steinway D that it shares the stage with in favor of the new, "shiny" piano. >Slowly but surely they all came back to the Steinway. Reasons varied, but the >common thread was that the Yamaha lacked the power of the S&S, and had no >"personality" so the CFIII was orphaned in favor of the D. A tech from Yamaha >visited and spent two days with the piano but everyone still goes with the old piano. >So, we are in spring break and I have some time to devote to the Yamaha-reshape >hammers, reg and lube, mate strings and voice. You know the drill. >I am noticing that the hammers are hung with a slight distal angle (about 3 degrees) >Is this normal for the CFIII? Also, looking at the string impressions in the strike point >(they aren't too bad really), it appears that the hammers are very slightly over >centering. >Is the 3 degree bore angle correct? I guess I need to confirm the proper bore >distance too. There is no $$$ for new hammers. >Thoughts? >Paul E. Dempsey, RPT >Piano Technician Sr. >Marshall University >Huntington, WV >304-696-5418 >304-617-1149
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