My experience with Del's boards is that you can harden the hammers somewhat but you do need to be careful not to overdo it. Dumping a strong solution on the hammers similar to the treatment on a stock NY D would be a mistake. But a light solution that still leaves some resilience in the hammer shouldn't be a problem. I would still consider adding mass to the hammer first as I mentioned in my follow up post. That's easy to do and easily reversible. The added mass on the higher tension string scale will give it some boost without risking the downside of the lacquer effect. A fine polishing of the top of the hammer on the upper end will give it a bit more shine again without the lacquer problem. Also, with respect to lacquering in this case I would probably try an application of lacquer on the low shoulder where the Ronsen Bacon hammers can sometimes use some extra support. That will help reinforce the structure of the hammer on a harder blow preventing it from collapsing as much and still keep the lacquer away from the higher shoulders and crown area where it can produce a negative outcome on this belly. If you opt for a low shoulder application only, then a stronger solution is usually in order. David Love www.davidlovepianos.com -----Original Message----- From: caut-bounces at ptg.org [mailto:caut-bounces at ptg.org] On Behalf Of Ron Nossaman Sent: Wednesday, June 23, 2010 10:04 PM To: caut at ptg.org Subject: Re: [CAUT] Hammers David Love wrote: > Both Ronsen Bacon and NY S&S will need to be hardened as > will Ronsen Wurzen and Weickert probably on this piano--at > least at the upper end. If the Ronsen Bacon that's on > there has not been hardened I would do that first before I > started switching hammers. As is very often the case, I agree with David's assessment. If you harden the hammers to something that will work wonderfully on a stock D, they will sound utterly wretched in this piano. Del's rib scales are lighter than mine, and I needle Ronsen Wurzens down, with the possible exception of the last half octave or so. Del's boards won't be as hard hammer tolerant as mine, and mine aren't particularly. I'm not interested in LOUD, or BRIGHT, but more in balance, tone, and projection. I'd rather stir the gut than grind the teeth. The endless "what's the best hammer?" discussions pretty much universally presume an unknown but accepted "standard" belly and string scale. Times and consciousness, hopefully, are changing. The thing is, if you want the benefits of a good string scale on a functional RC&S board, it's not going to work and sound like the system with the shortcomings you went with an RC&S design to avoid. Ron N
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