[CAUT] Hammer-Lac

PAULREVENKOJONES at aol.com PAULREVENKOJONES at aol.com
Thu Feb 18 20:18:10 MST 2010



In a message dated 2/18/2010 3:06:25 P.M. Central Standard Time,  
davidlovepianos at comcast.net writes:

Unless  you tell them not to. 
Which will cost you extra, they  claim.


 
David Love 
www.davidlovepianos.com
 
 
From:  caut-bounces at ptg.org [mailto:caut-bounces at ptg.org] On Behalf Of  
Laurence Libin
Sent: Thursday, February 18, 2010 12:33  PM
To: caut at ptg.org
Subject: Re: [CAUT]  Hammer-Lac

 
Are you sure that  Steinway still dopes the entire hammer?
 
Laurence

 
----- Original  Message ----- 
 
From: _David Love_ (mailto:davidlovepianos at comcast.net)   
 
To: _caut at ptg.org_ (mailto:caut at ptg.org)   
 
Sent: Thursday,  February 18, 2010 2:24 PM
 
Subject: Re: [CAUT]  Hammer-Lac
 

My only issue with that beefing up the shoulders  only on a Steinway hammer 
is virtually useless.  The hardener must wick  into the core of the hammer 
underneath the strike point.  While  applying it that way seems more 
cautious it may not accomplish what needs to  be accomplished.  Recall that 
Steinway dips the entire hammer into a  solution.  Another concern with the brush 
approach is that it can  harden only the outer layers of felt and maybe only 
the very top of the  hammer leaving the area under the strike point still 
too soft.  That  can create a weird effect where the piano is bright when you 
play it soft  and dull when you play it loud.  The hardness at the tip of 
the hammer  gets swallowed up, as it were, when the underlying hammer 
structure  collapses on loud playing.  
Anyway, so I’m an advocate for using  a dropper  of some sort and allowing 
the solution to wick in from the shoulders  underneath the crown and then 
allow it to creep toward the crown stopping  before it actually gets there.  I’
m especially careful at the bottom of  the tenor bridge and the top of the 
bass bridge where end of the bridge  effects can create some problems 
anyway.  The treble section is  different and letting it go to the crown is 
advisable in my view.  I  also use different strength solutions for different 
sections.  The  solids content dictates the solution generally but I use about 
9:1 for the  tenor and bass and about 6 or 7:1 for the treble (from about F5 
up).    
 
David Love 
www.davidlovepianos.com
 
 
From: caut-bounces at ptg.org [mailto:caut-bounces at ptg.org] On Behalf  Of D 
Marie Jones
Sent: Thursday, February 18, 2010 8:43  AM
To: caut at ptg.org
Subject: Re: [CAUT]  Hammer-Lac

On the shoulders, just below the strike-point–app. 1/4" in total  length on 
& just over the shoulder.  The solution quickly soaks  into the felt.  I 
dip the paintbrush in the solution, wipe one of the  brush sides on the 
solution jar lip and apply.  Hence, there is not  much solution in the brush 
(which I prefer).   
 

 
At the Steinway Touch & Tone course, Kent taught us to use  just a small 
drop of solution directly onto the shoulder & let it soak  in. 
 

 


D Marie Jones, RPT
 
Kalamazoo College

 
____________________________________
 
From: davidlovepianos at comcast.net
To: caut at ptg.org
Date:  Thu, 18 Feb 2010 07:30:20 -0800
Subject: Re: [CAUT]  Hammer-Lac 
 
Where  do you apply it with a paintbrush, what part of the hammer? 
 
David  Love 
www.davidlovepianos.com
 
 
From:  caut-bounces at ptg.org [mailto:caut-bounces at ptg.org] On Behalf Of D  
Marie Jones
Sent: Thursday, February 18, 2010 7:12  AM
To: caut at ptg.org
Subject: Re: [CAUT]  Hammer-Lac

Hi Paul,  
 

 
I've used it with good success on Steinway hammers (new &  older).  Though 
the directions suggest a 4:1 thinning ratio (which I  use on occasion when 
the tone is extremely "deadened", I prefer a weaker  solution of 8:1 and 
build up slowly for very specific voicing.  I apply  a very small amount of the 
solution with an artist paintbrush (sized the  width of the hammer head)–I 
feel this offers more control than the "drop"  method–on the shoulders.  I've 
had consistent results bringing up the  tone in the 5th - 7th octaves, 
especially, when  needed. 
 

 


D Marie Jones,  RPT
 
Kalamazoo College 
  
____________________________________
 
To:  caut at ptg.org
From: pwilliams4 at unlnotes.unl.edu
Date: Wed, 17 Feb 2010  12:27:11 -0600
Subject: [CAUT] Hammer-Lac

Hi  All,  

I just received a  flyer in my package of new bi-chord agraffes for a 
product called  "Hammer-Lac" Voicing Lacquer.  Has anyone used this stuff  yet?  

Curious,  

Paul  
  
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