I think some jazz should be thrown into the mix. What I hear as objectionable is the difference between some adjacent keys. David Ilvedson, RPT Pacifica, CA 94044 ----- Original message ---------------------------------------- From: "Fred Sturm" <fssturm at unm.edu> To: caut at ptg.org Received: 4/23/2010 12:46:36 PM Subject: Re: [CAUT] ET vs UET >On Apr 22, 2010, at 8:11 PM, Ed Foote wrote: >> If anyone has a question of this, I make this offer: I will >> compare a straight FAC based, WT tuning against the finest, most >> refined ET that any tech, or group of techs,would like to put on a >> similar instrument. Play anything from Brahms or before, it doesn't >> matter. I submit that the vast majority of listeners will prefer >> the WT. > I can possibly facilitate such an experiment. Jeff Hickey approached >me a few months ago about doing something in the way of temperament >concerts outside of classes at the Las Vegas Institute. I have been >mulling it over, and I think I may get something together. > One thing I had in mind was to play four preludes from WTC I, C and >C# major, and A and Bflat minor. This gives two pairs, major and >minor, with the extremes of key signatures: all naturals, and all >accidentals. The C and C# I would play both in the original key and >then transposed into the other (each would be played in both C and C#) >as an interesting additional wrinkle. I can also play a couple >movements of Mozart Sonata in F major K332, which wanders a good bit >in Mozartean style (via augmented sixth chords), by no means >harmonically static. That's probably all I can do myself in the way of >performing (I can sight read these pieces, but have too much other >music I need to learn to prepare much else - I have plenty of music of >20th and 21st century under my fingers, but that isn't too helpful). >Perhaps others would be willing to perform other repertory. > I was thinking mostly in terms of a educational enrichment >experience, showing people how music sounds in different tunings, but >I don't see why one session couldn't be devoted to an investigation >into perceptions and feedback of various sorts. One of which could be >to "vote which one you prefer." With the audience unaware of which >piano is which until after feedback has been submitted. > So if you are interested, and intending to be at Las Vegas, let's >plan on trying to make it happen. Others willing to participate in any >way - performing on the piano, tuning, making arrangements - are most >welcome. Please speak up. > " A straight FAC based, WT tuning": how about Kirnberger II? (Just >kidding). >Regards, >Fred Sturm >fssturm at unm.edu >Art is not a mirror held up to reality, but a hammer with which to >shape it. Brecht
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