Ed I think you will find that any ETD is capable of tuning unisons with the kind of effort Kent has described in several of his posts on the matter. In reading those I get no sense that Kent ear was not turned on big time as part of the getting the unisons clear process. I tune unisons with a combination of tunelab and ear all the time, if for no other reason then to allow my mind as much information pertainant to the task as I can get. Try this out... Tune a piano with those super clear unisons that take the extra effort Kent has described imposed on a close but no cigar set of octaves.... then tell me whether or not your tuning sounds just as cold. Make no mistake about it.... the P-12ths priority embodied in Stoppers software creates an overall tuning color... or affect. And Stopper would be the first to support that statement me thinks. Clean as possible unisons that in coupled state reflect the intended frequency are a prerequisite for any good tuning. Wasn't it you who mentioned a talk with Virgil a few days back about exactly how the whole pianos sound can be influenced by the tuning .... and not just unison tuning ? Cheers RicB Fred- This is an interesting comment, and brings us back to my comment that a significant part of the effect of Kent's tuning with the Tunic program may be due to the use of the program to tune unisons, one string at a time. Not to mention that Kent does a preparatory tuning that would probably pass for a tuning in many situations. Incidentally, though I heard the Tunic/Hailun as sounding very "clear," I also felt it sounded a bit "cold," and wished we could have had time to voice it more fully. Or was it the effect of the unisons? Ed S.
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