I'd hazard a guess, without hearing one, that they are better sounding than the Sohmer grands with agraffes... David Ilvedson, RPT Pacifica, CA 94044 ----- Original message ---------------------------------------- From: wimblees at aol.com To: caut at ptg.org Received: 4/28/2009 4:59:43 PM Subject: Re: [CAUT] Steingræber Phoenix to the National >Ric > >First, how is the sound, compared to the old Sohmers with agraffs on the bridge? >Second, do you know what the composite material is made of? >Looking forward to seeing and hearing the piano in GR >Wim >-----Original Message----- >From: Richard Brekne <ricb at pianostemmer.no> >To: caut at ptg.org >Sent: Tue, 28 Apr 2009 12:01 pm >Subject: [CAUT] Steingræber Phoenix to the National >Boy are you folks who plan to attend the National this year in for a >treat. I noticed in this months journal that the Steingræber factory is >going to bring over an example of their Phoenix concert grand with >agraffe bridge terminations and a carbon composite soundboard. I got to >see one of these a couple years back at the Nordic in Helsinki. Very >similar in many regards to other instruments using the bridge agraffes. >But the inventor of these particular agraffes makes a very good case for >there being developed quite a bit more solidity to the contact between >string and bridge with his system. And this is the only composite >soundboard I've yet to see. > >I think several of the folks thinking along new design lines are going >to enjoy picking this one apart. Enjoy ! > >RicB >Â
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