On Apr 23, 2009, at 8:30 AM, Wolfley, Eric (wolfleel) wrote: > The piano he is discussing here (1984 Steinway D) which is now in a > jazz/orchestral rehearsal room was, until our recent piano > purchases, our #1 instrument in our large concert hall and was used > mainly for orchestral concertos and the like. It wasn't our best > piano historically but it is pretty nice. When I started here in > 1998 it was badly in need of action work and at that time I > installed Renner parts and Abel concert-weight hammers since at that > time it was difficult to get reliable parts and hammers from Steinway. I have one almost identical (sounds like - though I haven't done the parts replacement Eric describes) at the large concert hall at UNM - not part of the music department, but I kind of take care of it. Those one part ivories are very nice, but tend to want to split. Ten or so have splits started at the corners, and a couple have major splits that run through almost to the front - fortunately just cosmetic, not something you feel. I'm not sure what I will do if they get worse. Maybe they won't. The piano has served well, used by the symphony when they have been too broke to afford moving etc for the C & A, or when someone hasn't liked the C & A (which has happened for a few seasons here and there). Awadagin Pratt played Beethoven #3 on it about a month ago, along with Orli Shaham on #4 (part of a Beethoven Festival). Awadagin was good, but Shaham was amazing! The piano could have been better, but it was certainly adequate. This is the instrument I first washed excess lacquer and keytop out of. There had been another tech doing some gigs there, and he had notions of keytop that were a little outrageous - obviously he had heard about it but hadn't been shown how thin it should be and how little should be used. I did manage to get them back to usable, from utterly horrible. New hammers would be nice when I have the time and they have the money. Regards, Fred Sturm University of New Mexico fssturm at unm.edu
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