Ed, I think it is Bakelite, I care for a little one here that stays beautifully at pitch. His brass bridges were marvelous constructions. But, the sound is little better than a Neupert. That was a time of discovery in historical instrument making, a lot of learning was going on. In a way it's more interesting than the current 'more accurately historical than thou' attitudes. --Dave New Orleans Ed Sutton wrote: > The Challis is something of a historical instrument in its own right. > One I worked on had a cast aluminum frame, aluminum wrestplank, wood > soundboard with brass tubing bridge. Later he went to aluminum > soundboards. > > It was mechanically sound, and not unpleasant, but was boring compared > to more historiacally founded instruments. It didn't have the change > of color from register to register which is such a delight in a good > small harpsichord. The Challis was even and bland, as I remember it. > > The jacks were machined out of some kind of hard plastic (bakelight?) > It had separate damper jacks. I wondered if the jacks would hold up > much longer. > > I might as well admit I replaced the leather plectra with delrin. > Challis would have shot me, but it didn't make much difference in the > sound. > > Ed S. >
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