Fred Sturm wrote: > On Apr 11, 2009, at 10:27 AM, Ron Nossaman wrote: > >> Does that mean that ET is more a historical temperament than most >> presently listed as historical temperaments? <G> >> Ron N > > Yes, from about 1800 on (with the exception of Italy and England, > where very little piano music was written in the 1800s). Practically > speaking, for the piano one can make arguments for UET for the classical > period (Haydn, Mozart, Beethoven), though one can make at least an > equally strong argument for ET for that period as well, possibly a > stronger argument. And, of course, one can quibble about "how precisely" > ET was achieved, and also about how precisely any given UET was achieved. > But I think it is pretty clear that the answer to the Schubert > question is ET. And if you want to do a somewhat sloppy ET for the sake > of "authenticity," I suppose that would be appropriate <G>. > Regards, > Fred Sturm Here I am, cutting edge, and didn't even know it! Guess I'd better go get those cards printed up... Ron N
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