For any interested, I got a copy of Claude Montal's book (an early predecessor of Braid White's Piano Tuning and Allied Arts, one might say, perhaps the first attempt to lay out the practical principles of piano tuning and repair), and it was published in 1836 (not 1856 as reported in my last post), and says nothing about a sostenuto pedal. Further research at Groves on-line (a major music encyclopedia) reveals that Montal exhibited a sostenuto system in 1862 in London. And the same article names three others who had supposedly come up with devices along the same lines prior to Montal. So there you have it, the inception of the sostenuto pedal, which probably would have disappeared along with the bassoon and sourdine pedals and the like had it not been for Steinway adopting it. FWIW. Montal's book is fascinating. He was writing before the time of the double escapement, when the single escapement was what you found on better pianos, and yet what he has to say seems so familiar in so many ways. The profession has come a long way, but remains to a large degree precisely the same as it was 150 years ago. Regards, Fred Sturm University of New Mexico fssturm at unm.edu
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