Hi Keith. I by and large agree. I dont buy into some of the draconian redesigns I've heard tale of. At least not if that means getting into big changes in the actions geometry. Most often that is actually quite good enough to get on with. Making what we have in front of us work correctly is the primary task. That said... evening out Strike Weights to a 10th of a gram is to my mind clearly a very good idea... especially if one does correspondingly nice balancing on the other end. It essentially is a very quick and efficient way of doing the weigh-off to begin with... and we all know thats got to be done. And in the same process one creates an evenness of touch that pianists simply do pick up on. I do have a scale that reads 100th of a gram... tho I round off to 10th of a grams for Hammer Strike Weights. I'm just that much more certain of my figures thats all. A tenth of a gram SW works out to roughly a half a gram Finger work. Like the absolute pitch thingy... pianists have shown they are capable of amazing degrees of sensitivity in touch as well. A 10th of a gram precision seems a good place to settle on to me. I'd also like to point out that any move in capstan or knuckle is in principle ok.... as long as you know exactly what you are doing and why. I would submit that such moves do indeed constitute at least some measure of action redesign tho. Like I said in my last... Jon Page has some very good thoughts on that. Cheers Ric B Sometimes it cracks me up. Correct me if I'm wrong but are you guys using scales that have an accuracy of a tenth of a gram? I suggested to a friend we get the one that has an accuracy of a hundreth of a gram. Your hammers range from 10 grams down to 5 grams. (give or take) So with 5 grams divided into 88 increments that yeilds a weight change of slightly more than half a tenth per hammer. It is senseless to use a strike weight curve unless I can post hammer weights after the taper like, #1, 9.64 #2, 9.60 #3, 9.55 #4, 9.45 #5, 9.49 #6, 9.35 Now that could read 9.6, 9.6, 9.6, 9.4, 9.5, 9.4 or 9.6, 9.6, 9.5, 9.5, 9.5, 9.3. However with the scale we got it makes it possible to really dial in the weight of the parts. In the run above I can see that i can switch 4 and 5 and being the bass it won't show. A tenth of a gram scale doesn't cut it in my opinion for the proclaimed smoothness of curve. Essentially it all has to come out in the wash when the action is reweighed and leaded. Really we don't want to redesign the action, we want to make it work right. We are taking the measurement of an existing action and it doesn't matter what anybody else gets as the action ratio. 40 people can measure it and have 40 different answers for their computer/math models but nothing has changed in the action in question. It still has the same ratio it had before the measurements as afterwards. We have several options. The consensus is that 4 to 5 leads in a key is two much. I took out 4 pounds of lead. We can lighten the hammer, we can move the knuckle, we can move the capstan and even the heel. Sometimes we can get different whippen configs. Each one has it's own criteria that has to be considered before using. Key dip and blow distance really didn't change much with this capstan move but moving the knuckle, it sure does. Keith
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