I'm not sure which rebuilders you are talking about but I can guess. I think your statement mischaracterizes their goals. I neither think they are looking for a "super ppp" level (a natural pianissimo will do) nor are they equating "some kind of brilliance with noise". Avoidance of gross distortions, caused by overdriving soundboards may be a goal, but it doesn't preclude a solid fortissimo. Emphasis on sustain may require some slight sacrifice in loudness--at least from the board. Yet, on many of these boards a wide range of tone can be achieved much more easily since soundboard and string scale matching delivers a somewhat more predictable result and allows for brilliance, fortissimo (and pianissimo) with a hammer that is neither filled with lacquer nor quarried from granite. Neither are they out declaring their ideas as superior. It is simply a choice that they are making and they are being generous enough to share their ideas. I don't know about "clear market preferences". My experience with my customers (many of whom are very fine concert musicians) is that most pianos are too loud, too percussive, too strident, without expressive characteristics on the lower end. Concert preparation is a very different thing than what most people would choose to play on everyday. Also, carrying a 3000 seat hall forces you to make choices that you would not under normal playing conditions. Choices about voicing a piano for presentation at conventions are more complicated and often must anticipate dead presentation rooms, ambient noise levels and other problems. Within any design pianos can be voiced to very low or very high levels. Those choices may not reflect the potential in any given instrument. David Love davidlovepianos at comcast.net www.davidlovepianos.com -----Original Message----- From: caut-bounces at ptg.org [mailto:caut-bounces at ptg.org] On Behalf Of Richard Brekne Sent: Tuesday, September 18, 2007 1:43 AM To: caut at ptg.org Subject: [CAUT] Tone "contrast"; Was - The "new" S&S Hammers. There seems to be a growing desire amoungst several rebuilders in the states to opt for a very moody and softish sound base. The idea that a super ppp level should be needed goes to the expense of any real brilliance, seemingly because these same equate that kind of brilliance with noise. It matters not that the vast majority of pianists seem to on the other hand opt for that kind of brilliant sound base. On the one hand, I applaud the willingness to explore different colour pallets, yet on the other hand I am skeptical to the apparent insistance of some to declare their own ideas as superior others, writing off clear market preferences as meaningless in a variety of ways. Cheers RicB
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