Hi again- Thanks for the comments. That's certainly an impressive program at Juilliard....! I think you emphasized the main issue at stake, which is defending the amount of time we require in the hall to maintain the standard that is expected there. It's an uncomfortable argument to make when we know that the players are often not getting all the rehearsal time they desire either. So it goes- but that aside, and back to the pianos, what I was really thinking about in terms of more time on performance concert grands was not all the regulation and voicing, but rather the fact that I can tune a nice 6' grand with say a 4 cent pitch adjustment in 2 hours or less and confidently know that it is rock solid stable and beautifully tuned as good as possible. I can not say the same for a concert grand. In fact about the only time I can know for sure that I'll feel that good about the tuning on a concert grand is if there is no adjustment at all. It's this difference that I was hoping to quantify in more understandable or specific terms. There is also the real issue on our own part of perhaps sometimes taking the whole experience too personally. We want to keep the "magic" going. It's so cool when that happens and is appreciated. It's simply not possible for "magic" to happen all the time- same with performances, and musicians do understand that. cheers~ dennis. St. Olaf College
This PTG archive page provided courtesy of Moy Piano Service, LLC