I have used it. I like the acoustical results but I don't like working with the stuff. As Ron points out it's brutal to notch by hand (no matter how sharp the chisel is). I wouldn't use it at all if I didn't have a power notcher. It does look some odd though I don't at all mind this. There are those who maintain that I'm some odd myself. I no longer use the stuff. Several years back I switched to my own laminated maple bridge cap stock. Del | -----Original Message----- | From: caut-bounces at ptg.org [mailto:caut-bounces at ptg.org] On | Behalf Of Ron Nossaman | Sent: June 13, 2007 1:43 PM | To: College and University Technicians | Subject: Re: [CAUT] Bridge capping material | | | | > I have been catching up on reading. Really enjoyed the | string stretch | > thread, both theoretical wanderings and practical methods. On the | > topic of bridge treatment: I was thumbing through the | Schaff catalogue | > (bottom of page 81) and saw that they offer a 15/32" | (~12mm) laminated | > beech bridge capping material (by Delignit). Has anyone | used this for | > capping? If so, what are your conclusions? | > | > Thanks. | > | > Alan | | Del uses it, last I heard, and it works just fine, but it's a | bear to hand notch. At least for me it is. I don't much like | the looks of it for capping, but it makes a really nice | connector/stiffener between tenor and transition bridges. The | bridge capping was the first thing I tried in my hybrid | pinblock, but I thought it wasn't hard enough and went to | regular Delignit for the pinblock cap. | | Ron N |
This PTG archive page provided courtesy of Moy Piano Service, LLC