>From observation, the amount of weather induced pitch change in a given range is reasonably proportional to the amount of soundboard area and linear bridge length per unison proportioned to the amount of string tension. -Mike Jorgensen On 6/7/07 7:13 PM, "Ron Nossaman" <rnossaman at cox.net> wrote: > >> Where the bridge pin ends up relative to the front >> termination is an open question, not one easily measured. > > Hi Fred, > No, not easily measured. > >> One of the >> Fandrich's (I forget which, but think Darrell) wrote about pitch change >> due to elongation of the bridge toward the tenor end about ten years >> ago, citing speaking length change as a major factor. > > That was Darrell, and his premise was based on strings not > rendering through the bridge. An interesting thought though. > > >> Soundboard movement in response to humidity change isn't just up/down. >> The position of the bridge relative to the front termination may change >> due to whatever is happening to the board. A bit sideways, a bit back or >> forth, a bit of change in cant. It certainly isn't as simple as up and >> down, increasing/decreasing bearing (and, hence, distance from a to b, >> and, hence, tension). > > Nothing is simple or isolated, and this isn't a discussion on > every potential detail of why and how pianos go out of tune, > is it? My initial intention was to illustrate that string > stretch wasn't the likely primary reason for long term pitch > drop. I don't have authoritative details on everything that > happens in soundboards with moisture changes, and most likely > never will. I've picked up what I think are a few clues, and > reported why I think so. That's the best I can do. > > >> You really think the moisture transfer from the bottom of the soundboard >> into (and from) the bridges of a grand is enough to stabilize the >> bridges to a significant degree? > > When it rains outside, the humidity level in my house > increases even though the doors and windows are closed. > Dampp-Chasers are least effective when the lid is always wide > open, with no bottom cover, and most effective with a top and > bottom cover. > > Ron N
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