David Ilvedson wrote: > Conrad, > Could expound on > >> -used needle nose to make similar adjustments to string on both sides of >> the bridge My porpoise on doing most of these things is to have the string leave all the direction changing places as straight as possible. The bridge pin places I do by GENTLY squeezing a couple of strings like so... \| |/ "borrowing" a string from the next unison if necessary. I emphasize "gently". Naturally, you don't want to loosen bridge pins... >> -tucked German tie tail under other strings between hitchpin and >> aliquot, after being sure that I'd made the coil in the right direction >> to force the tail flat against the plate. (the other way would have had >> the tail climbing the strut) >> -made tuning coil tight >> -pushed in becket >> -seated hitch loop >> -pulled up to pitch >> -spaced strings >> -pushed down on section between hitch and aliquot to have string come >> off straight in both directions >> -used needle nose to make similar adjustments to string on both sides of >> the bridge >> -pushed down on counterbearing section to form that kink >> -pulled new string up to level unison >> -pulled back to pitch >> -pushed string sideways as it comes off tuning pin >> -pulled string a little sharp (nothing scientific, just what seemed right) > >> Came back at 6PM and touched up what was then real close. Did not stay >> for Chopin. > >> Went home. > >> Next morning, came in and checked. Just a fuzzy unison. Touched it up. >> Two master classes on it yesterday. > >> I just checked this morning and found a very clean unison. > >> I guess I did something right... ;-} > >> Or did I forget a step? > >> Or have I committed a bad, bad sin? > >> Conrad >
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