With what I've been experiencing with <<tuning>> the back scale lately I wonder if the major benifit of over pulling has more to do with insuring that the back length has enough tension (compared with the speaking length) on it more then it has to do with anything else. Cheers RicB In last month's discussion of wire stretch, someone mentioned pulling a new string a semitone sharp to take care of any future stretch along all its segments. Is a 'semitone' overpull common practice for new (plain-wire) strings? Would you do this as part of a full re-stringing as well, or is this just a habit when trying to get a new single-string replacement stable? I've never done so, but can't see the harm with fresh new wire. Anyone want to educate me on the subject? thanks, Mark Cramer Brandon University -------------- next part -------------- An HTML attachment was scrubbed... URL: https://www.moypiano.com/ptg/caut.php/attachments/20070606/56093e3d/attachment.html
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