[Paul Kupelian] Organ tuning ehh? I did that for a few years. Perhaps you and I should have a little conversation about some organ chambers I've been in over the years before you boldly think you should try that. Bbbwwahhhhhahahahahahahahahahahah. (Perhaps a career in organ tuning would be more up my alley??) :) Stranges > I've broken a lot of grand piano bass strings -- always the string and/or > piano's fault, I assure you! -- and must confess to never having observed > them flying free of the piano. I remember one snapping back in my general > direction once when the hitch loop snapped, but it never quite made it to > my face, strinking (I think) the top of the partly opened lid before that. > > On the theory that confession's good for the soul, I suppose I should also > admit that I have trouble visualizing a bass string flying free in the > manner that seems to hold such terror on this list. Seems like there's a > fair number of obstacles to doing that, and I'm not sure that a bass > string possesses the kind of mass/elastic energy -- or whatever > physics/technical term applies -- to achieve such flight in any case. > > But as someone who humbly bows before simple empirical fact, at least when > one slaps me in the face, I would certainly defer to those who've > personally witnessed a bass string take majestic flight from a grand > piano. Any chance someone here might describe such an event? (I've got > an old grand I'm seriously considering popping some strings on for > experimental purposes.) > > Best, > > Jeff > ----- Original Message ----- > From: Andrew Anderson > To: College and University Technicians > Sent: Friday, March 24, 2006 3:21 PM > Subject: Re: [CAUT] Adams 1/4 tone sharp piano > > > Jeff, > I was thinking that if I got stuck with one of these jobs I'd run truck > straps over the piano to restrain any flying strings and than seriously > suggest leaving them there. ;-) > > Andrew Anderson > > At 11:23 AM 3/24/2006, you wrote: > > > On Mar 24, 2006, at 11:10 AM, Wolfley, Eric ((wolfleel)) wrote: > > > Alan, in answer to your question about how sharp I would tune I > would say 50 cents! It wouldn't make any sense to de-tune more...a > semitone is just a transposition. Any less or more than a > quarter-tone (sharp or flat) would diminish the effect. > > > > Ok, here's a suggestion that sounds like a dumb southerner might > suggest, that should reduce risk of all this. > > How about LOWERING the pitch 50 cents and transposing 1/2 step sharp? > > Jeff > >
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