I just wanted to respond back about my experiment in moving the hammers to a more nearly normal position. In this D the hammers toward the bass were hung much closer to 5" than 5.125" and I wanted to move them out. I did, it worked, no problems with back-checks, sostenuto etc. The Ronsen Wurzens sound great though I've had to use an artist's brush worth of acetone/keytop on the bass and last sections, and a little in the tenor. They just needed a little more punch in that hall. I'm just glad I didn't run into geometry problems! dave David M. Porritt dporritt at smu.edu -----Original Message----- From: caut-bounces at ptg.org [mailto:caut-bounces at ptg.org] On Behalf Of A440A at aol.com Sent: Tuesday, June 06, 2006 4:22 PM To: caut at ptg.org Subject: Re: [CAUT] Steinway hammer spec. Dave writes: << the tails of the bass hammers are pretty close to the wippen (OK repetition!) and I'd like to move them out to be the same as the treble hammers. Can anyone see a problem waiting to happen here? >> Greetings, As the hammer moves farther out on the shank, you will need to space them more to the treble, since the rake of the bass strings goes that way. Otherwise, I can't see any problem. (of course, I have been smacked by things I didn't see for a long, long time.). You might want to double check that you don't have backcheck clearance problems if you do increase the length. Then that gets into sostenuto rod clearance, which gets into tab lengths on the underlever post, which might be dependent on dampertray geometry. Hell, before you know it, you might need to move the bridges, in which case it might be easier to simply put in a new pinblock and soundboard so you can get it exactly right.... I have never found any tonal difference in moving hammers 1/8" in the bass section on a D, but that ain't to say it didn't happen while I wasn't looking. Regards, Ed Foote RPT http://www.uk-piano.org/edfoote/index.html www.uk-piano.org/edfoote/well_tempered_piano.html
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