Hi, Is there a definitive work on temperaments that relates composers to the temperaments they used on their instruments? Or temperaments to specific works? These days the more I use well temperaments, the more I like them. I'd like to be able to engage some of the musicians around here in a conversation about this issue. And do some experimenting. Thanks for any suggestions. Alan -- Alan McCoy, RPT Eastern Washington University amccoy@mail.ewu.edu 509-359-4627
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