[CAUT] 1966 G-2 THANKS ALL!!

[Jeff Tanner]

---------------------- multipart/alternative attachment

On Oct 13, 2005, at 11:32 AM, David Ilvedson wrote:

>  In other words it doesn't always start at the tenor bridge and go  
> up...am I as clear as mud?
>

Common sense makes us want to think this way, but I don't think  
manufacturers always are using a whole lot of that.  Matter of fact,  
this thread's got me wondering how many times I might have used the  
wrong wire size replacing a single broken wire.

Steinways are stamped from 88 and go down, Baldwins from the lowest  
tenor and go up.  I haven't changed a string on a Yamaha in so long I  
don't remember.  I'm sure that how the plate is stamped is production  
related - whether each company trains its stringers to start at 88  
and go down or at the low tenor and go up.

You can also tell by looking at how the stamped unisons share wires  
with neighboring unisons.  On a three string unison, the string which  
is shared by two unisons is either on the left or right.  If it's on  
the left, obviously the notes to the left will share that wire size,  
and vice versa.

Jeff
---------------------- multipart/alternative attachment
An HTML attachment was scrubbed...
URL: https://www.moypiano.com/ptg/caut.php/attachments/9c/45/0a/b3/attachment.htm

---------------------- multipart/alternative attachment--