This is a multi-part message in MIME format. ---------------------- multipart/alternative attachment Well actually, I was kidding. I guess I forgot the smiley face, so it wasn't obvious. David Love davidlovepianos@comcast.net -----Original Message----- From: caut-bounces@ptg.org [mailto:caut-bounces@ptg.org] On Behalf Of Wimblees@aol.com Sent: Tuesday, January 11, 2005 6:16 AM To: caut@ptg.org Subject: Re: [CAUT] Gradually improving voicing In a message dated 1/10/05 11:32:32 P.M. Central Standard Time, davidlovepianos@comcast.net writes: Until they read the reviews. David Love davidlovepianos@comcast.net Are you kidding. Most critics don't know enough to make that judgement. All they know is whether the piano player and the orchestra stayed together. Wim ... generally a pianist doesnt really give a hoot what the piano sounds like out in the hall, unless they are out there sitting in it. Ok.. I sharpened the point a bit... but its not far from the truth. A player has to feel the instrument has just the right presence on scene. If he/she feels that, then they are nearly always satisifed and either dont consider the sound out, or just assume it must be ok. Cheers RicB ---------------------- multipart/alternative attachment An HTML attachment was scrubbed... URL: https://www.moypiano.com/ptg/caut.php/attachments/a9/4c/10/93/attachment.htm ---------------------- multipart/alternative attachment--
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