Sometimes there's a lot to be said fer jist saying nothin'. > [Original Message] > From: michelle stranges <stranges@Oswego.EDU> > To: <ed440@mindspring.com>; College and University Technicians <caut@ptg.org> > Date: 1/10/2005 3:27:57 PM > Subject: Re: [CAUT] Gradually improving voicing > > I gotta chime in here and say... > > Voicing perplexes me in the instances you are just now talking about. > > "One mans trash is another mans treasure."- you know what I mean? > > I've had some faculty memebers rave about the piano and other (di)faculty > members find *s*o*m*e*t*h*i*n*g they don't like about it. > Secretly I've ignored these ones and *pretend* I did something and tell > them I changed it to their liking. > Guess what? > They think it sounds WAAAYAYYYYYYYYYYYY better. > > Arms up-.... you know you've done this!!!!! (Placebo effect, eh?) > > It's too chance-y a job to mess around with when it "works" in the most > prominant performance spaces. > > To my knowledge, the piano is the only instrument that players can't tune > on their own, service the way they'd like? > > Am I wrong? > > :) > Michelle > > > (uh-oh- now that I've said alla this... can I still stay?) > > --On Monday, January 10, 2005 3:03 PM -0500 Ed Sutton > <ed440@mindspring.com> wrote: > > > The performance hall can have something to say. I've had the same D sound > > full and warm in a big hall and rough and ragged when it went through the > > stage door and was played in the small recital hall next door. > > > > I also feel that really good performers quickly comprehend the capacities > > of an instrument, and shape the music to what's possible. And I've heard > > others bang all night on an instrument that was saturated, never figuring > > out that it made no difference....fortissimo was something they felt in > > their shoulders, I guess. > > > > Ed S. > > > > > >> [Original Message] > >> From: Jeff Tanner <jtanner@mozart.sc.edu> > >> To: College and University Technicians <caut@ptg.org> > >> Date: 1/10/2005 2:21:12 PM > >> Subject: Re: [CAUT] Gradually improving voicing > >> > >> > >> On Saturday, January 8, 2005, at 11:21 AM, Erwinspiano@aol.com wrote: > >> > >> > Whatever, the thing I learned first was that in order for a D to > >> > project?,& have color & susutain it must be voiced so that sitting at > >> > the piano it?will ?literally Roar at you. > >> > >> Hi Dale, > >> My experience is completely the opposite. I find that pianists have no > >> concept of how much more sound is being projected to the audience than > >> what they are hearing and feeling from the keyboard. > >> > >> Jeff > > > > > > > > _______________________________________________ > > caut list info: https://www.moypiano.com/resources/#archives > > >
This PTG archive page provided courtesy of Moy Piano Service, LLC