---------------------- multipart/alternative attachment Hi, Ed, At 06:36 PM 10/2/2003 -0400, you wrote: >Hello, Horace, where've you been? Under a rock.... > >Richard Davenport's damper class is very, very good. It is mostly about >installing new dampers properly. Hmmm - the class I was thinking about was one for which he had built a special action model with modified parts so that any number of variables could be achieved. I think it was called: "What if?"...but, memory fails. >What I'm imagining is an action that is rigged to have as many of the >subtle frustrations (such as Wim's backcheck problems) as could be fitted >into 88 keys. The object would be to learn to diagnose quickly, mostly by >touch, without pulling the stack. Richard's model was only one or two keys (I think). I like the idea of a full action, but wonder about the visibility of the parts/relationships. >If anyone has a Steinway action about to be ditched, I would undertake the >rigging! What? Throw away the Crown Jewel of Perfection of piano manufacture? Get thee behind me! Block my hammer! Still, the visual does have some degree of visceral appeal... Horace > >Ed Sutton >----- Original Message ----- >From: <mailto:hgreeley@stanford.edu>Horace Greeley >To: <mailto:caut@ptg.org>College and University Technicians >Sent: Thursday, October 02, 2003 10:19 AM >Subject: Re: bobbling hammers, again > > >Ed, > >Something on this order used to be a part of a class that Richard >Davenport was teaching a few years back. Perhaps he is still teaching it >from time to time. > >Horace > > >At 05:28 PM 10/1/2003 -0400, you wrote: >>If someone has a spare D or B action, it would be a great model to create >>all the backcheck problems we've been posting on this thread, then use in >>a demo class. >> >>Ed S. >>----- Original Message ----- >>From: <mailto:Wimblees@aol.com>Wimblees@aol.com >>To: <mailto:caut@ptg.org>caut@ptg.org >>Sent: Wednesday, October 01, 2003 5:06 PM >>Subject: Re: bobbling hammers, again >> >>In a message dated 10/1/03 3:58:02 PM Central Daylight Time, >><mailto:ed440@mindspring.com>ed440@mindspring.com writes: >> >>>Wim- >>>Along with what Jeff is saying, check (feel) if the nap of the buckskin is >>>reversed, or if the backcheck head is slightly loose on the wire. Also >>>check the >>>bottom edge and corners of the hammer; just a slight touch with a >>>sandpaper file >>>to remove a sharp corner might make it work. >> >>I am going to look at the wire, to make sure it is tight in the key. I >>will also look at the nap of the buckskin. I have already sanded the >>bottom edge of the tail to remove the sharp edge. >> >> >>>Are you making a laminated checklist of all these suggestions? You >>>could teach a >>>class next year. Or sell the list. ;-) >> >> >>I am saving all the suggestions for future references. I don't know if I >>will have enough material to teach a full class, but maybe a mini class. >>As with all educational material, the information will be free for the >>asking. :) >>Wim >> >>>Ed Sutton ---------------------- multipart/alternative attachment An HTML attachment was scrubbed... URL: https://www.moypiano.com/ptg/caut.php/attachments/f0/50/3a/1e/attachment.htm ---------------------- multipart/alternative attachment--
This PTG archive page provided courtesy of Moy Piano Service, LLC