WT concert

Ron Nossaman RNossaman@cox.net
Mon, 10 Feb 2003 22:01:14 -0600


>Just what is this constrictor-hold that ET has over everyone?

Just what is this insistence that everyone who isn't dedicating their 
professional and personal lives to pursuit of alternate temperaments is in 
the stone age and afraid of anything but ET? I really don't get it. Why 
aren't you working on a better bridge termination system, or the ultimate 
agraffe or capo configuration? Why aren't you fixing killer octaves, or 
inventing a hammer that is uniform and dependable from set to set? How 
about perfecting bass strings? That's something that still needs some work. 
Or casters that work? How is it that the instrument the temperament is put 
on is of so much lesser importance than the temperament, that the 
temperament becomes such an issue?

Just what is this presumption that the thing that currently holds your 
interest is the only thing that is worthy of consideration? Why do the 
disciples of alternative temperaments insist that anyone who isn't 
interested in their passion is a technological pagan? Or is it not a 
technological thing at all, and simply a matter of not being worthy? I read 
a whole lot of talk about temperament wars. A WHOLE lot. I read about the 
desperate clinging of the pitifully backward adherents of ET to their 
obviously deficient temperament(s, including the ubiquitous reverse well 
variants), and their virulent opposition to anything else. I read all this 
from the alternate temperament folks. From the ET folks, I read occasional 
queries of interest, and a more general disinterest. It's neither a 
passion, nor a phobia. It is disinterest. What I don't read, and never 
have, is a general condemnation and vilification or fear of alternate 
temperaments from the ET folks. Nearly as I can tell, all the angst, all 
the insecurity, all the defensiveness and general antagonism is coming from 
the alternative temperament folks. Maybe I'm reading posts from a different 
list than you are, but that's what I'm reading. Admittedly, I'm probably 
missing fear and loathing posts from rabid ET pit bulls, but I  suspect I'm 
missing equally rabid posts from alternative temperament folks too, so I 
suspect it more or less evens out. I do know I'm seeing a lot more rabid 
posts from the alternative temperament folks here than I am from ET folks.

By all means, promote your passion. Wave flags, and shout your convictions 
to the world. That's how progress is made, in whatever direction wins. By 
all means, attempt to broaden your horizons and those of the other piano 
techs you have access to via the internet. Bless you, and go in peace, but 
if anyone chooses not to follow your personal quest, leave them the hell 
alone and don't characterize them as something they're not. They may just 
have other interests you don't happen to share. This is not a piano 
specific technical matter. It has nothing whatsoever to do with mechanics, 
design, physics, or piano function. It is strictly a personal and 
subjective evaluation of methods of tuning a piano that is already what it 
is. It is, in short, the very last thing on the list of what makes a piano 
a piano - after the fact. Those that are interested things other than 
alternative temperaments are simply that.

End rant... again.

Ron N


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