Hi Ron, Amazing how geography maks a big difference, I note you are located on the Great Lakes, high humidity conditions for 7 to 9 months I presume. Here on the praries we have some what different and much drier conditions, so the we juice much less frequently. I prefer using Abel hammers in this area, several reasons, first is consistency, second they seem to be the softer of the hot pressed hammers. I hav'ent used a set of Issac's in years, so any comment that I would make would not be valid. The two hardeners that I use are 5:1 laquer, or crushed chalk and acetone mixture for lighter type toning, ironing with a warm voicing iron seems to set and stabalise the treatment. Key top solution I reserve for treating bass or lower tenor hammers, very liberal application below the 9 o'clock point towards the hammer shank, in place of the grey reinforcing of yesterday. the more that I use this approach, the more convinced I become that we frequently work too high up on the hammer before seting a solid foundation. If you create a very solid bass to the hammer, there is more leeway to play with the elasticity of the shoulders. Regards roger > >My approach to juicing has evolved over the years. I rarely put anything >more than keytop solution (1.5 keytops:8 oz.) in the tops of bass hammers. >I put 4:1 lacquer solution in the shoulders routinely, though, especially >on NY Steinway hammers (the newest ones, anyhow). That solution only goes >up to about 10:00 front and back. Nothing stronger than 5:1 between >10-11:00, front and back. > >Are you speaking specifically about Isaac hammer treatment? > >Ron Torrella, RPT >Piano Technician >University of Michigan >School of Music > > Roger Jolly Baldwin Yamaha Piano Centre Saskatoon and Regina Saskatchewan, Canada. 306-665-0213 Fax 652-0505
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