He Jude.
I found Rons answer a bit vague... no disrespect intended. So I'll
venture an answer if you dont mind.
Forgive my density but...
You are not dense my friend :)
What is it about the 6-6.5%emc at rib glue-up that causes the panel
to be
supported, all else being equal in terms of rib crowning & rib
dimensions,
panel thickness etc.?
It is the ribs themselves that support the whole thing. The panel is
just what pumps the air around so we end up hearing the thing. The MC
level is decided upon to meet whatever climate conditions one expects so
that the panel does not come under more then very moderate levels of
compression at any given time... simultaneously so it doesn't crack
apart during dry periods
Is it a question of internal friction, stress and/or compression?
I dont know about internal friction in this context... but stress, both
compression and tension are definitely a big consideration here.
I've read notes from classes taught by Del and Ron N. and while I
get the
stiffer rib assembly, I don't get why the extra emc makes for a more
stable
soundboard?
I'm not really sure it is more stable per se. There are some
assumptions I've not seen proven as to the reactivity claims Ron just
made. The wood in the panel will respond to climatic changes just as in
any board. In that sense at least all boards are just as reactive. Over
the long term tho... the RC&S board... will (if designed appropriately
for the climate it winds up in) experience less compression set... and
in that sense at least is less reactive.
Please forgive me and refer me to the archives if I'm opening up a
can of
worms here! :)
Its nothing we all haven't dug our grimy fingers in several times
before... wheres the melted chocolate ??
Jude Reveley, RPT
Absolute Piano Restoration, LLC
Lowell, Massachusetts
(978) 323-4545
Cheers
RicB
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