Yes... and I get the sense a bit of this is being mixed up here with
talk of whatever potential benefits there are to drying down the ribbed
assembly just prior to installation in the case. Concerns about cracks
appearing, be they compression spawned or just pulled apart because of
too little drying are about how dry the the panel is just prior to
ribbing. I cant see that has anything to do with whatever potential
benefit there might be to keeping the thing dry while the ribs glue
cures, or re-drying just before you glue the whole thing onto the rim.
I am curious tho to what this bit with Steinway Hamburg is... they said
it was <<crucial>> to getting their bridges right. As it happens I will
have the chance soon to ask them again so I will see what I can pump
from them.
As for CC ridges in boards made in Europe. This is far from a Steinway /
Grotrian phenomenon. I'd say the greater portion of European produced
pianos display this kind of thing nearly in every case. Petrof,
Schimmel, Steingræber, Seiler... I've personally talked with their
design people and they say outright compression ridges are a sign of a
well put together board. All of these and a good deal others also
mention figures like 3.5 % EMC before gluing ribs. Udo Steingærber just
told me in Helsinki in October this is necessary for the European
climate... and he also told me they make as tight a fit as is humanly
possible in gluing their assemblies into the case. I will be seeing him
again before long as well... so I may get a chance to see them doing
what they do first hand.
Cheers
RicB
I should think the moisture content of the panel at rib glueup
should be
much more influential on the propensity of panel cracking rather
than the
moisture content of the soundboard at installation time.
Terry Farrell
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