Anyone who wants to can easily prove to themselves that the below simply
doesn' t hold true. There are a variety of ways to go about punching
gargantuan holes in this reasoning. One easy way is to take a simple
center pin.... nice fat one say a size 24 and insert it under a unison
on the bridge say 2-3 mm behind the front bridge pin. This gives you as
floppy a bridge pin situation as could ever occur in real life and then
some. Bring the unison up to tension and see how often you end up with
a false beating string that was clean before. For that matter... pay
attention to how often a string that started off being false gets clean
by this experiement. Do this for say 10 different unisions to start
getting an idea of the percentages involved here. It ends up that
around 55 - 60 % of the time a <<loose pin>> and a false beat are
coincident events. Hardly grounds for a cause and effect relationship
declaration.
But even if one stops up for a second and accepts for the moment this
wobbly pin idea. It is then more likely that the pin is going to wobble
in a for and aft orientation then sideways to begin with. For two
reasons. One, the string is under considerable side bearing stress to
begin with where as for and aft there is virtually no stress. Two.. the
largest and most violent amplitude of vibrational motion by far is the
pushing/pull of recursive pulses smashing into the bridge and their
correspondant up and down motions.
Beyond this and going back to a more involved perspective of the
termination, the claim that the string makes no upwards and downwards
motion beyond the bridge pin is an unsupported one. In fact, in the not
so distant past there was a post describing a class given at a regional
where high speed photography actually pictured this. Given a recessed
notch which essentially provides no vertical support under the string at
the proximity of the bridge pin... and the directional orientation of
the string pulse... this isn't really all that difficult to imagine.
The standard bridge / bridge pin configuration that defines the strings
termination is a compound support.
Cheers
RicB
One more time. There is no need for careful alignment other
than keeping the notch edge out of the speaking length. The
pin is the termination. The PIN is the termination. THE PIN IS
THE TERMINATION. That is in both the vertical and horizontal
excursion, just as the capo is the termination in both the
vertical and horizontal excursion. If the pin is tight in the
cap at the cap surface, where it won't flagpole, there won't
be the classic false beat even with the notch clear behind the
pin. The beat is NOT caused by the string sliding up and down
the pin.
Ron N
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