I've heard that said before, but I can't come up with a theory that explains HOW a punching that is not contacted until after the hammer has disconnected from the key, can affect the tone? I'd be very interested if anyone can provide an explanation. Thanks. ~Mark Schecter On Oct 10, 2012, at 1:32 PM, Jon Page <jonpage at comcast.net> wrote: > Not only a firmer landing and narrower dip range between dynamic levels but there is many times a focusing of the tone with Crescendo punchings. > > -- > Regards, > > Jon Page > >
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