Indeed, you would be correct then. I was using the front portion of the keys that are parallel with one another. Terry Farrell On Nov 16, 2012, at 2:45 PM, Kent Swafford wrote: > Understood. My line of reference is the front of the piano which resembles a straight line more than doglegged keys do. > > On Nov 16, 2012, at 9:48 AM, Terry Farrell <mfarrel2 at tampabay.rr.com> wrote: > >> Depends on your point of reference. A line parallel with the straight side that intersects a key will form both an obtuse and an acute angle with the line of the key. >> >> Terry Farrell >> >> On Nov 16, 2012, at 10:17 AM, Kent Swafford wrote: >> >>> Obtuse angle, actually, but we knew what you meant. 8^) >>> >>> >>> >>> On Nov 16, 2012, at 8:57 AM, Terry Farrell <mfarrel2 at tampabay.rr.com> wrote: >>> >>>> Many, if not most, grands have the bass/straight side at an acute angle to the keys. This one does appear to be a larger angle than many though. >>>> >>>> Terry Farrell >>>> >>>> On Nov 15, 2012, at 9:53 PM, Bruce Dornfeld wrote: >>>> >>>>> I failed to capture the right image of it here, but the most unusual >>>>> design aspect of this piano is that the straight side does not run parallel >>>>> to the keys. It goes out to the left, creating a wider soundboard and piano >>>>> than would be more typical. >>>>> <016.jpg> >>>> >>> >> >
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