Jim Coleman has been quoted as saying "The closer in value a piano is to $100,000, the better the ETD tuning will be." I tend to think that Jim Coleman is a reasonable authority. MY original question had to do with matching tunings between ETD's. I tuned a piano yesterday which came from Arizona, and had FAC numbers written on the plate..... I use Tunelab. I found a tuning combination which came close to his Acutuner settings but not exact. His tuning was very consistent, even after several years, but at the top I just came out differently with TL. I want to know if there are ways to very closely match other machines all the way through. It wasn't a musical question. I also passed my tuning test rather decently as an aural tuner, and though I have to use hearing aids, my last pass is always aural. So, can this particular question be kept in the realm it was intended- strictly a practical mechanical/electronic arena, and leave the "what is musical" stuff for somewhere else. In a sense that is not relevant to my question. Thanks Les Bartlett Houston -----Original Message----- From: pianotech-bounces at ptg.org [mailto:pianotech-bounces at ptg.org] On Behalf Of Joseph Garrett Sent: Friday, May 25, 2012 11:49 PM To: pianotech Subject: Re: [pianotech] Stretch in Tuning(s) Duaine said: "Well, IMHO, at least Cybertuner does. Because before you start tuning, you sample all the A's, which no only tells how far off the tuning is, but also registers the inharmonicity, etc. Plus allows - 9 - standard settings for stretch as well as allowing for custom settings. Plus, also, allows for setting to listening to certain partials." And if you think I swallow that, I've got some good bottom land for you. That assumes that that takes in the whole gammit of every kind of inharmonicity....Which it does not! I get real tired of listening to supposed techs that think that Aural is the only way and/or The Machine is the absolute way! Sheesh! If you do not know how to tune, at a reasonable level, Aurally, then the machine is going to take you down the dumb path of trying to convince you that it's "formulae" is the BEST way to tune a piano. It just ain't so! I passed my RPT exam, Aurally. I use an ETD. It is a tool,....nothing more/nothing less! It helps me to be very close. However, it does NOT make a piano MUSICAL! Yes, it can make a spinet as good as it can be. (Don't waste your TIME trying to get it much better. Simply spinning your wheels there. The reality is: the machine, PLUS good Aural Skills will help you to be a good, consistant tuner that puts out a MUSICAL tuning, almost every time! That's the bottom line. All this B.S. about "Stretch" and "Wow" tunings from the Aural Crowd and the "Perfect" "whatever" from the ETD crowd is just a whole lot of B.S. Bluster, imo. There are damned few techs that really have a right to lord over you, their way of doing it. Those are USUALLY the head instructors at the National! The George Defenbaugh/Jim Colemans of our organization are a couple of those. The rest, just want to make their own ego prevail. (Flack suit firmly zipped up! Along with a good set of ear plugs!<G>) IF anyone wishes to discuss different tuning philosophies and methods, that's the way we help each other to improve our skills. That's what it's all about. However, anything more/less than that is just B.S. imo.<G> BTW, if you have 10 tuners in a room, you will get, at least,...20 different opinions. Especially, when it comes to tunings.<G> That's my take on it. Joe Joe Garrett, R.P.T. Captain of the Tool Police Squares R I ----- No virus found in this message. Checked by AVG - www.avg.com Version: 2012.0.2176 / Virus Database: 2425/5022 - Release Date: 05/25/12 ----- No virus found in this message. Checked by AVG - www.avg.com Version: 2012.0.2176 / Virus Database: 2425/5022 - Release Date: 05/25/12
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