Thought I'd enlighten.<G> Ran into a P.C. Weaver, upright. Pretty normal throughout ...except the bass tuning pin pattern/configuration. It had a 3 tuning pins pattern, instead of the normal 2 or 4. Really harkened me back to my beginners mode, since I had to trace all of the strings to make sure I was on the right pin!<G> After a fashion, I figured out the "system", but even then it was a mind bender. The "system" was, (going down in the bass w/mute strip in), bottom pin for first note; bottom pin for second note; middle pin for third note; middle pin for fourth note; top pin for fifth note; top pin for sixth note....then, do it all over again.<G> Today, a Pleyel Wolff, Upright, Flat Strung, Overdamper. Main problem: expanding leads and moth eaten keyframe felt. Yanked all of the olde felt out and did the pin clean/polish. Then replaced with "replica felt". The interesting thing was: both the Sharps and Naturals, balance rail pins had a route in the front half, so that the felt punching acted like the "clipped" punchings that we have discussed at length. BTW, this piano was made around 1887. The fact that it was flat strung, with a French style Overdamper Action, that had a real Unichorda and the balance pin thang, was interesting to be sure. So went my week....weird, weirder, and Whoa!<G> Regards, Joe Garrett, R.P.T. Captain of the Tool Police Squares R I
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