> Those sure appear to me to be new shoes. I forgot to mention. This job is a re-work. The maple shoe and balance hole you see there was installed 4 years ago and was in perfect condition. However, despite the hole having no slop or shy thousanths, the bloody hard maple was clickety-clacking my client into oblivion (...it didn't bug me, but I aim to please). This happened with 2 maple shoe jobs...needless to say I'm out of the maple shoe business, and using basswood on home pianos, and poplar for high use pianos. So I was not replacing the shoe for this post, just replacing the hole in the maple shoe with basswood. The maple shoes you are looking at were installed 4 years ago as part of the way Bruce Clark taught a bunch of us to move the existing balance hole/ balance rail, to optimize the half stroke locations of all the centers in a full action/keyboard redesign. The placement of that entire shoe during the re-design was not indexed off of the original holes, because the original holes (in both x,y) were ditched. The placement of the new shoe was a procedure and-a-half, which involved basically putting the 50" wide keyboard back into the nearest equivalent pre-bandsawed apart...it frankly borders on insane in my current way of thinking. If I do this kind of re-design now, it gets a new keyset...much less work. > If so, what were they indexed to, with all the holes within the span of the shoe? Making it long enough that the index pins are beyond the span of the shoe would let you locate a center pin hole in a new shoe too, as when de-accelerating actions to stiffen keys, eliminating the half dowel in favor of a deeper key. yeah, so if I were keeping the shoe in the original keyboard re-design 4 years ago, just extending the jig would have worked fine...but that ain't what I was up to back then. While we're on the subject, you bring up something I've been thinking about regarding the fulcrum point at the balance pin/hole. So many balance rails have the key rotating in a very complex inefficient manor in a rocking/chucking motion instead of a true pivot, accentuating the required breakaway force at the start of the stroke. I've only dealt with the half round dowels once so far. Seems like a good idea. On a short key stick, as opposed to the long D sticks I think you're talking about, what are the down sides of the half dowel? Do they jump around, click? Do they create an unstable key height in any way, or are they as good an idea as they seem? (there's mostly always engineering tradoffs) Jim Ialeggio -- Jim Ialeggio jim at grandpianosolutions.com (978) 425-9026 Shirley, MA
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