I was being semi facetious but I know that pushing the tension down doesn't work because I've tried it. The tone just sounds weak and thin. Poor bass response is a soundboard issue, in my view and that's where you should look to resolve it. That's not to say there aren't bad scales but I don't think that compromising the scale to try and fix a soundboard limitation is the right approach. If the gnarliness of the bass scale is a concern because it may be overdriving the board then it can also be addressed with a lighter and softer hammer. I haven't tried the wire you refer to to try and up the bp% so i can't really comment there. David Love www.davidlovepianos.com 415.407.8320 Jim Ialeggio <jim at grandpianosolutions.com> wrote: >David wrote: ><Lowering the tension in the bass artificially because the piano is >smaller will just create something that is unpleasant or out of balance, >in my opinion. Avoiding gnarliness can result is a bass that sounds like >a rubber band. > >I agree, that while we start with a string scale, the design of the the >whole system determines whether the "string scale" works or not. Its not >just a string scale or a belly structure or an action setup, or a hammer >choice but a whole interdependent system. > >But my question to you regarding the above quote would be, how do you >know the alternative to gnarliness is rubberband-iness. There are no >modern pianos that I know of, save my experiments, which have pushed >the lower limits of the low tension bass scale to see what would happen. >Mainly I think because the tensile strength of modern wire didn't allow >the experiment. How do you know the alternative is rubberband-iness??? > >Jim Ialeggio > >-- >Jim Ialeggio >jim at grandpianosolutions.com >978 425-9026 >Shirley Center, MA > -------------- next part -------------- An HTML attachment was scrubbed... URL: <https://www.moypiano.com/ptg/pianotech.php/attachments/20121217/dc769746/attachment.htm>
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