[pianotech] GH-1s, etc.

Dale Erwin erwinspiano at aol.com
Fri Dec 14 08:04:55 MST 2012


 So, as you are fond of saying, that's my story and sticking to it. So stuff that trout in your sack and smoke it--a little Oregon humor there.
David Love


Now you've got to admit thats funny Joe.;)
Dale


Dale Erwin R.P.T.
www.Erwinspiano.com
Phone: 209-577-8397

 
  





-----Original Message-----
From: David Love <davidlovepianos at comcast.net>
To: pianotech <pianotech at ptg.org>
Sent: Thu, Dec 13, 2012 9:11 pm
Subject: Re: [pianotech] GH-1s, etc.



There are other issues as well related to unison tension and break point percentage. At any rate, not much point in debating this as I now defer to those with more experience in this area than I do. I have done some scaling but usually run the scale by the string winder who invariably tells me why I shouldn't do something.  My main point was that there seems to be an appropriate use for wrapped trichords in certain situations. Having at least one side by side experience I would attest to that. So, as you are fond of saying, that's my story and sticking to it. So stuff that trout in your sack and smoke it--a little Oregon humor there.


David Love
www.davidlovepianos.com
415.407.8320




David Love <davidlovepianos at comcast.net> wrote:


The core would be but not necessarily the wrap.


David Love
www.davidlovepianos.com
415.407.8320




Joseph Garrett <joegarrett at earthlink.net> wrote:

David said:
"I was referring to how thin the copper needs to be. Depending on various
factors and targets, sometimes bichords end up pushing the copper down to
something much thinner than string winders are comfortable working with." 
 
David,
I understand that. However, if you were scaling for 3 string wound, the
wire core and wrap would be even smaller than with the bichords of the same
mass per note. Trichords solve little, imo..
Joe


Joe Garrett, R.P.T.
Captain of the Tool Police
Squares R I


 
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