Over the past 5 to 7 decades there have been quite a few pianos built with speaking lengths at C-88 between 52 and 54 mm. Quite a few of the Japanese pianos have come with C-88 speaking lengths of 55 and 56 mm. Aside from those pianos using excessively dense and massive hammers there hasn't been a lot of string breakage. ddf Delwin D Fandrich Piano Design & Fabrication 6939 Foothill Court SW, Olympia, Washington 98512 USA Phone 360.515.0119 Cell 360.388.6525 del at fandrichpiano.com ddfandrich at gmail.com -----Original Message----- From: pianotech-bounces at ptg.org [mailto:pianotech-bounces at ptg.org] On Behalf Of John Delacour Sent: Sunday, April 10, 2011 12:45 PM To: pianotech at ptg.org Subject: Re: [pianotech] Breaking bass string >...it would appear by your standards that the maximum speaking length >at #88 would be something like 46 or 47 mm for #13 gauge and I see this >exceeded all the time both by accident and design without adverse >consequences... I repeat, once again, that the 70% is the limit for *bass strings* which very rarely have a #13 core. I see 50mm as a good compromise for note 88. The old wire (especially Poehlmann over here) was phenomenally strong and some makers pushed their tensions to the limit relying on its strength. The reason I became a stringmaker was that I couldn't get anyone to make me a set of strings for a Schiedmayer grand that would not break. The top 5 singles had been replaced so many times that the frame was all chewed up and the 7.75mm pins were still not holding the pitch. Stringmakers just copied the old strings using the weaker modern wire and they broke before they came to pitch. There are several famous makers who were almost as bad.... JD
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