The wedges clearly have a more pronounced influence restricting the board form moving and thereby reducing the loudness. You can demonstrate this pretty well in the lower part of the piano where you may have an end of the bridge effect going and a wedge between the rib underlying the end of the bridge and a beam (if there is one) below will definitely reduce the volume there. It seems to be a very localized effect. Usually it's too much and it also creates a whiny sort of sound that may not be any better but it does reduce the boom. In the treble wedges will also reduce that percussive attack and clang somewhat. The board will sound a bit choked and if the sustain is enhanced the choked sound is usually undesirable enough that it's probably not worth it. I have experimented with adding some trap springs between ribs and bracing especially in pianos with killer octave problems--Steinway B's have ribs and bracing in pretty much the right spot to experiment with this. If you are able to insert enough of them it seems to increase the sustain slightly with an accompanying reduction in volume (not always in a desirable way). David Love www.davidlovepianos.com -----Original Message----- From: pianotech-bounces at ptg.org [mailto:pianotech-bounces at ptg.org] On Behalf Of Ron Nossaman Sent: Tuesday, October 19, 2010 6:57 PM To: pianotech at ptg.org Subject: Re: [pianotech] Interesting find On 10/19/2010 7:59 PM, David Love wrote: > Having wacked countless wedges between ribs and beams as well as > inserted trap springs in various parts of the piano as pictured I > would tend to report a drop off in volume and a modest increase in > sustain. Of course, I might be hallucinating. Maybe, but you checked, which is the point. Ron N
This PTG archive page provided courtesy of Moy Piano Service, LLC