An option I prefer is to replace the brass rail, and install 'modern' butts and flanges. I first saw this in a class taught by Bill Spurlock, and I'm pretty sure there is a detailed description on his website. I probably just opened myself up for a chapter technical, right Ryan? Best regards, Dave Davis, RPT Renton, WA -----Original Message----- From: "Barb Nobbe" <barbara at pitchperfectpianos.com> Date: Wed, 26 May 2010 16:45:13 To: PTG<pianotech at ptg.org> Subject: [pianotech] Brass rail Hello list, I'm working on my very first rebuild that is a 1916 J & C Fischer upright. It went through a fire, but only suffered smoke/soot damage. My customer is adament about getting it restored and thankfully, the insurance company is paying for the work. It has a lost motion and sostenuto rail, which I found interesting for an old upright, but from the research I've done and the looks of the piano, this seems to have been a higher quality instrument back in the day. My question is this...I know there are companies out there that duplicate the brass rails. So far with my inspections, I don't see any cracks or defects that would lead me to believe this rail is bad, other than age. I do plan on replacing all the tabs and little screws with the rebuild, as it's getting new hammers and butts too, but I was hoping to save the cost of duplicating the rail. I know OTOH, that brass is a really soft metal and if one of the tabs on the rail breaks off, I've got a nice little headache to have contend with. Should I save myself the possible headache, cough up the extra dough out of my budget and go ahead and get a new rail, or would most of you take the chance on keeping the original? Just curious. Thanks! Barbara Nobbe, RPT Pitch Perfect 859-489-4793 barbara at pitchperfectpianos.com
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