[pianotech] Fw: no cash flow

William Truitt surfdog at metrocast.net
Wed May 5 19:37:12 MDT 2010


Hi Gene:

 

I know that I'm going to sound like a bit of a hard case with what I say, so
I apologize in advance.

 

It may well be that you have been deliberately set up for the fall.  Join
the club, it's happened to most of us at one time or another and it will
probably happen to us again.  It's not fair or right, but it is an
unfortunate fact that this is part of business for most people in most
businesses.  It'll probably happen to you again too, just  change the
details.

 

You have no control over whether or not you get paid, beyond some steps that
others have outlined, but you do have control over how you choose to feel
about it.  It is your choice to be consumed by this and let it turn you
inside out emotionally, consuming your thoughts, energy, and focus that
would better serve you elsewhere.  The good news is that because you are
choosing to let yourself feel this way, this also means you can choose to
feel otherwise and direct your thoughts and actions elsewhere.   That's
self-mastery, grasshopper.

 

I allow myself 10 minutes of deep, black disappointment and anguish before
the mental switch kicks on, and says, NEXT.  It makes life a hell of a lot
easier for me to do that.  Why would I want to spend hours feeling like
crap?

 

Will

 

 

 

 

 

From: pianotech-bounces at ptg.org [mailto:pianotech-bounces at ptg.org] On Behalf
Of Gene Nelson
Sent: Wednesday, May 05, 2010 6:51 PM
To: pianotech at ptg.org
Subject: [pianotech] Fw: no cash flow

 

 

 

I have not heard anyone suggest that making the name of the symphony public
could be unethical, and I do not believe it would be. The time is not now
however.

After much consideration I have that old bad taste in my mouth.

I have donated many tunings but they have always been by my choice - not an
option to deceit.

This symphony knew when they wanted my services that they could not pay me
and did not have the fortitude to inform me or ask for donated service - who
knows, I may have felt generous that day.

The feeling I get here is that there is something glorious about concert
work that should cause me to be bullied into donating a full day to someone
who clearly has no regret about taking advantage. If I give in then the next
technician will likely be faced with the same thing. The next technician
should ask to be paid in advance or at least know what could be on the
horizon for them.

To be honest, I get more satisfaction out of reviving the old upright as
opposed to some aspects of concert work and cannot see anything that is so
special about it.

If my reputation gets trashed because I want to be paid for my services then
maybe I am in the wrong business.

These same people have benefactors that are willing to front enough $$$ for
one of the most exotic German pianos on the market - will they maintain that
one with the same approach? 

Communication and good will is a two way street.

Thanks again for all of your thoughts.

Gene

----- Original Message ----- 

From: Gene Nelson <mailto:nelsong at intune88.com>  

To: pianotech at ptg.org 

Sent: Wednesday, May 05, 2010 11:14 AM

Subject: Re: [pianotech] no cash flow

 

This would be good if I was close to the place. As it is a 2+ hour drive, my
services were more than a tuning (took up an entire day) and I do not want
clients in that area because I am not willing to drive there on a regular
basis I cannot see the value in it. I don't care about the income range of
those who might read my name on some symphony hand out as none of them will
be a client.

This is looking more and more like a chartable contribution that I am being
forced to give. Maybe I can use it as a tax write off - there is at least
some value in that.

Gene

----- Original Message ----- 

From: Brian Trout <mailto:brian_trout at hotmail.com>  

To: pianotech at ptg.org 

Sent: Wednesday, May 05, 2010 10:57 AM

Subject: Re: [pianotech] no cash flow

 

Since I'm not a regular symphony attendee, I'm not all that familiar with
how the playbill is written or what is normally in it.  But if you have the
opportunity to put your name in front of a few hundred or even a few
thousand people for the price of a tuning, that may be a rather target rich
audience for your advertising.  
 
The few times I was sitting, waiting for a concert to begin, I often found
myself reading whatever I had available, even if I had almost no interest,
simply to occupy my thoughts with something other than nothing.  
 
Might end up being a win/win for both of you.  Saves them money, provides
you advertising.  You'd just want to work out ahead of time what work
equates with what advertising to make it at least approach equitable in
appearance.  
 
Best of luck,
 
Brian
 


  _____  


From: alliedpianocraft at hotmail.com
To: pianotech at ptg.org
Date: Wed, 5 May 2010 12:37:38 -0400
Subject: Re: [pianotech] no cash flow

Take it out in trade! Get tickets to the symphony or an ad in the playbill
in lieu of payment.

 

Al

 

 


  _____  


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