Early in my career I tuned for a restaurant that featured a locally well known pianist. The guy was pretty good, but he could hammer the piano. It was a really small Kawai grand, don't remember the model. There was usually one or two broken strings when I came out and evidence of a couple dozen others that had been replaced by the previous tech. I had lots of complaints from him of unisons not holding. Trouble was I was new to the business and little uncertain of myself. For a given unison that was out it was impossible to distinguish if the problem was me, a previously broken string, the physics of this particular model piano (which I've since learned is problematic), his hard playing, or his attempt to touch up the unison with his own hammer that he kept under the music desk. It was a harmonic convergence of unison instability conspiracy on steroids. I was smart enough to realize all these factors were in play. Couple it to the fact the guy was something of an ass and the restaurant owner just wanted the complaints to go away. Plus I was hungry for business and did not want to lose this account. So I took it as a personal challenge to get the darn unisons as stable as I could. I also made a habit of doing a follow up 2 or 3 times between tunings to touch up unisons which the owner really appreciated. Sure I lost money, but my unison tuning did get better. And I've made thousands of dollars from this account over the years with regular tuning appointments- probably around 50 tunings total. The pianist eventually moved to Florida and the restaurant got a different piano. No more unison problems. Dean Dean W May (812) 235-5272 PianoRebuilders.com (888) DEAN-MAY Terre Haute IN 47802 -----Original Message----- From: pianotech-bounces at ptg.org [mailto:pianotech-bounces at ptg.org] On Behalf Of David Nereson Sent: Tuesday, March 09, 2010 1:33 PM To: pianotech at ptg.org Subject: Re: [pianotech] How long do unisons hold? No tuning is rock-solid, as much as the most confident of us would like to think they are. Many recording studios tune once a month. At many concerts, a tuner comes out during intermission to touch-up unisons. I just now did a freebie touch-up for a client whose piano I tuned a month ago. If she just played Debussy all the time, it probably wouldn't have needed it, but she plays rock, gospel, and jazz, and quite forcefully, on a piano that has very hard hammers. But she still wonders what's wrong with the piano when a few unisons have drifted after a month. I get the impression that the general piano-owning public thinks a tuning should stay perfectly locked-in for about a year. But they just don't. Yes, there are those old pianos that stay almost rock-solid for 5 or 10 years, but they're one-in-a-hundred. As previous PTG brochures on tuning have pointed out, we're lucky pianos stay in tune as long as they do, with their essentially 18th century technology, and their 12 to 20 tons of tension on the plate and each string under 75 - 150 lbs. of tension. Other (non-fixed pitch) instruments are tuned about every time they're played. I've often tuned pianos where, as I'm packing up my tools, the customer tries a few notes, and I can hear a unison or two that has already drifted. This is usually when a pitch raise has just been carried out, but not always. I'm afraid stability is an elusive goal, but we try our best. --David Nereson, RPT
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