> ..."which turns the temperament compromise into a pure tuning on the chords > level, by canceling beats through symmetric harmonic interference." > > > Is this cancelling effect apparent only in "chords" of common practice triadic harmonies? Or, does the cancelling perception still appear in non-triadic and/or atonal harmonies, as well as extended triadic harmonies found in much jazz (9th, 11th, 13th chords and the like)? Jim -- grandpianosolutions.com Shirley, MA (978) 425-9026 -------------- next part -------------- An HTML attachment was scrubbed... URL: <http://ptg.org/pipermail/pianotech_ptg.org/attachments/20090326/880178cd/attachment.html>
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