[pianotech] Temperaments

David Ilvedson ilvey at sbcglobal.net
Mon Feb 16 10:37:12 PST 2009


Ed,

Do you have a sound source for your take on this?   Some Chopin in this temperment?

David Ilvedson, RPT
Pacifica, CA  94044

----- Original message ----------------------------------------
From: A440A at aol.com
To: pianotech at ptg.org
Received: 2/15/2009 11:35:28 PM
Subject: Re: [pianotech] Temperaments


>Julia  writes:

><<   Why are the P5ths tempered in those (C,  F & G) commonly used keys, yet 
>the article states that they should be the  most pure keys? Shouldn't it be 
>the opposite? Namely, the black keys be  tempered then?
>Am I missing something here? >>

>         Greetings,
>  Acoustically, thirds and fifths work in opposition to one another, which 
>generally means that in the traditional form of well temperament, the keys with 
>the most highly tempered thirds will have the purest fifths, and the keys with 
>the purest thirds will have the most highly tempered fifths. It is overly 
>simplistic to regard a given key as highly tempered or not.   
>   If performed on a well-tempered keyboard, this harmonic contrast can be 
>heard in Chopin's music, where he often places a pure melodic line above a very 
>expressive harmony, creating a subtle musical texture that is unavailable in 
>20th century tuning.
>Regards,



>Ed Foote RPT 
>http://www.uk-piano.org/edfoote/index.html
>www.uk-piano.org/edfoote/well_tempered_piano.html
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