jim ialeggio wrote: > I've been wondering about the concept of the splayed grand action for a > while. I like Marcel's take on the straight keys. Otherwise, who knows? I get the impression the old man had a list of everything he could think of in piano design that he could justify questioning, and systematically went down the list checking 'em off as he tried something different with almost every piano to see what was to be learned. If we only knew the thought processes that produced these continual changes, and the conclusions hopefully reached as results, we'd be collectively more educated as to what was considered to work, or not, and a subjective opinion as to why. We don't, naturally, because it wasn't passed on. What I really don't understand is how he thought he could survive as a manufacturing facility doing what amounted to R&D and custom fabrication on what should have been production pianos, from just the sales of those pianos. Where did the money come from? Ron N
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