I was going to mention something along these lines but had decided to
not... but since you bring this in....
It is of course interesting to delve into as much as you can. I have my
own project going with explaining pitch changes due to string
deflections at the bridge and and with the help of PhD Alexander Galembo
arrived at a set of math formulas for calculating change in pitch for
change in length. This employs Hookes law and is a different approach
then using elongation formulas... which I have yet to see a sensible
explanation for in this context. Regardless of approach... one is
immediately confronted with a host of friction moments and it gets very
iffy for more then very general querries right away.
In the end... as related to the present issue... about all you can model
with maths here is how much increase in tension a free standing string
will experience for any given amount of movement for a pin of a given
diameter. Once you start adding termination and other friction points as
in a real piano you are not going to get much of anything meaningful
with math models... only hints of what <<should be>> under uniform and
ideal conditions... which of course never are in existence.
In the end... a techs job is from a practical perspective a matter of
feeling, touch, listening... and putting these together to arrive at a
sensation of <<knowing>> what the string and pin are doing for whatever
kind of stress you are exerting on them. That takes experience... lots
of it. The rest is academic... interesting... perhaps useful.. perhaps
as much a goose trail as anything else depending on the tech pursuing
the trail.
Cheers
RicB
Theory and Practice of Piano Tuning by Brian Capleton has a 40 page
chapter on Setting the Pin.
www.amarilli-books.co.uk
Ed Sutton
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