This whole thing of relative versus perfect pitch is getting a bit convoluted. Now we even have some using the term "relative perfect pitch" (a bit of an oxymoron). As someone pointed out, perfect pitch simply refers to pitch memory, like the ability to identify a color, one who possesses "perfect" or "absolute" pitch can identify a pitch when heard in isolation. There appears to be a strong genetic component for this ability but it seems to also have a critical period for development (like certain language skills). Claims that you can teach yourself "perfect pitch" are bogus. The accuracy of so called perfect pitch is another matter. A person who has this ability generally can't identify or hear the difference between A440 and A339 or A442 for that matter. They simply hear the three notes as an A. Those who are musicians (and not all those who possess this ability are) might very well have a strong sense of flat or sharp based on their own intimate sense of their instrument. Many violinists, for example, can hear differences within their own instrument if it is tuned slightly sharp or slightly flat. One assumes that the subtle difference in the quality of sound at different tension levels accounts for that. Woodwind players can often hear the difference as well and in both cases having perfect pitch doesn't seem to be a prerequisite. I doubt whether they could tell you exact cents deviations. Pianists, in my experience don't experience differences in tuning the same way. There is an ongoing study at UCSF (University of California San Francisco Medical School) on this very subject (perfect pitch, absolute pitch, pitch memory--however you choose to call it) with extensive testing done on these individuals who have it and who claim to have it. I know the scientist in charge of the study and have had many lengthy conversations about her findings. It's really quite interesting should anyone wish to look into it. I don't know how much of the study is actually published. Relative pitch, on the other hand, is a learned skill and refers to the ability to identify any particular note after being given a reference note. Most well trained musicians have relative pitch, or should. The term "relative perfect pitch" makes no sense in this context. David Love davidlovepianos at comcast.net www.davidlovepianos.com
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